The chorus is the part of the song where people will tend to join in and sing along. This part of the song will be repeated at least once and often doesn't vary too much from one instance to the next, as is the case with verses. The chorus has to give your listener the main message or theme of the song. This is often also a section in production where volume automation can be used to bring the level down by a small amount to accentuate the drop or chorus that follows. It creates a separation between verse and chorus and uses musical devices to prepare the listener for chorus.Ĭommon practices include a change in the chord progression, the use of hooks and the stripping of all instruments except for one. It's used to create anticipation and give the chorus more impact when it does finally hit. The pre-chorus, often nowadays called the lift, as the name suggests, sets the listener up for the chorus. An example of this would be a song where the lyrics does straight-time in the verse and then double-time in the chorus. You could also use different timings in the verse and chorus. Or, vice versa, you could keep the chorus on one note and use scales or intervals more in your verse. You could keep the verse on one note and introduce note intervals in the chorus.
The contrast between verse and chorus can be created by note choice. This relationship to the chorus is very important because the verse has to be different enough to the chorus to maintain interest while at the same time maintaining a musical relationship to the chorus. It's at the same time what leads the listener to and prepares the them for the chorus.
The verse will often stand both lyrically and musically in opposition to the chorus. This change happens of course in the lyrical content but often also in the instrumentation with the addition or removal of certain instruments. Verses usually change every time they're repeated in a song. It's also where the story gets told and the tiny details, scenes and imagery is introduced to the listener. The verse, in terms of lyrics, is where the journey begins. As long as it captures attention and introduces what's coming in the rest of the song it's all fair game. It can be a melody or a chord progression. There are no hard and fast rules for intros. There are songs that start with the chorus, often stripped down to allow for later contrast with the actual choruses.Yet another example may be a song that does neither and starts with something completely different to the rest of the song.Another example is a song that does the opposite and starts with a drum loop or percussive intro.One example is a song that starts with the main chord progression without any drums or percussion.There are many different types of song intros but they'll usually contain less elements and energy than the chorus and in most cases the other parts of the song too.Ī few types of intros you might come across: The goal of the intro is to attract attention and introduce the listener to the song. The intro of a song sets the stage for the rest of the song. Notice how the last number is different? That means that the length of the note counted is half of that in 4/4 or 3/4.Song Structure Terms: The Basic Elements of a Pop or Rock Style Song 1. Other popular time signatures would be 3/4 in which there are three beats in a bar and 6/8 in which there are six eighth beats in a bar. The first number indicates the number of beats to count per bar, in this case it’s four, and the second number tells you what kind of note you need to be counting, which is a quarter note for this example. Lets take the most popular time signature of all time, one that everyone knows: 4/4. A time is a universal unit of measurement that details the amount of beats that are contained in a bar. The number of beats in a bar is wholly dependent on the time signature of the song you are writing. Multiple beats make up a bar and multiple bars make up a song.' Defined by Mighty Expert: ‘a bar is one small segment of music that holds a number of beats.
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